28 Weeks Later [Blu-ray]

As an exercise in pure, unadulterated terror, 28 Weeks Later is a worthy follow-up to its acclaimed predecessor, 28 Days Later. In this ultraviolent sequel from Spanish director Juan Carlos Fresnadillo (hired on the strength of his 2001 thriller Intacto), over six months have passed since the first film's apocalyptic vision of London overrun by infectious, plague-ridden zombies. Just when it seems the "rage virus" has been fully contained, and London is in the process of slowly recovering, an extremely unfortunate couple (Robert Carlyle, Catherine McCormack) is attacked by a small band of rampaging "ragers," and the cowardly husband escapes while his wife is attacked and presumably infected. Their surviving children (Imogen Poots, Mackintosh Muggleton) fall under the protection of a U.S. Army sharpshooter (Jeremy Renner), but nobody's safe for long as 28 Weeks Later goes into action-packed overdrive, with scene after blood-gushing scene of carnage and decimation. The film's visuals follow the look established in 28 Days Later, this time with bigger and better scenes of a nearly abandoned London on the brink of utter destruction. The military subplot gets a bold assist from Harold Perrineau (as a daring helicopter pilot) and Idris Elba (in a too-brief role as the military commander), and their firepower–not to mention the efficient lethality of helicopter blades–turns 28 Weeks Later into a nonstop bloodbath that's way too intense for younger viewers and guaranteed to leave hardcore horror fans gruesomely satisfied. That's all there is to it–this film is almost plotless and dialogue is minimal throughout–but as a truly terrifying vision of survival amidst chaos, 28 Weeks Later honors its origins and qualifies as a solid double-feature with Children of Men. Could there be another sequel? Thanks to the "chunnel," the answer in this case is definitely oui. –Jeff Shannon

Beyond 28 Weeks Later28 Weeks Later on DVD28 Days LaterMore from Fox
Stills from 28 Weeks Later

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28 Days Later [Blu-ray]

Hailed as the most frightening film since The Exorcist, acclaimed Director Danny Boyle's visionary take on zombie horror "isn't just scaryâ?¦it's absolutely terrifying" (Access Hollywood).
An infirmary patient awakens from a coma to an empty roomâ?¦in a vacant hospitalâ?¦in a deserted city. A powerful virus, which locks victims into a permanent state of murderous rage, has transformed the world around him into a seemingly desolate wasteland. Now a handful of survivors must fight to stay alive, unaware that the worst is yet to comeâ?¦

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Rec 3

Koldo and Clara are about to celebrate the most important day of their lives: their wedding. Everything appears to be running smoothly, and the bride and groom and their families are enjoying a wonderful day-that is, until some of the guests start showing signs of a strange illness. Before they know what's happening, the bride and groom find themselves in the middle of a hellish ordeal as an uncontrollable torrent of violence is unleashed on the wedding. Amidst the chaos Koldo and Clara become separated and begin a desperate search for one another. What started off as an idyllic day quickly descends into a nightmare of the worst kind

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[Rec] 2

Picking up just moments after the events in 2007's [Rec], this 2009 sequel to the Spanish contagion chiller fires up the same shaky-cam scare engine that made its predecessor so nerve-rattling, while expanding on a hint of supernatural ambiguity dropped at the tail end of the first picture. This time, viewers accompany a special police unit into the contaminated building as they attempt to control the viral outbreak that turned the occupants into bloodthirsty lunatics. There's an official from the Ministry of Health along for the ride, but he's soon revealed to be a man of the cloth–and the mission turns from containment to a hunt for the young girl who was the source of the outbreak. What follows is the same high-octane POV terrorfest that made [Rec], as well as its American remake, Quarantine, one of the most heart-stopping horror titles of the new millennium; the exploration of the virus's possible diabolical origins may not sit well with audiences hoping for simple zombie/virus action, though it does provide for some genuinely shocking moments, as well as a surprise return from one of the original [Rec] cast. Writer-directors Jaume Balaguero and Paco Plaza again prove that they're among the most inventive and energetic filmmakers working in the genre; two sequels are reportedly already in the works. –Paul Gaita

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[Rec]

From Executive Producers who brought you Quarantine, comes the movie that inspired the terror. A beautiful TV reporter (Manuela Velasco, Law of Desire) and her cameraman are doing a routine interview at a local fire station when an emergency call comes in. Accompanying the firefighters to a nearby apartment, the news team begins recording the bloodcurdling screams coming from inside an elderly woman's unit. After authorities seal off the building to contain the threat, the news crew, firefighters and residents are trapped to face a lethal terror inside. With the camera running, nothing may survive but the film itself.

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Quarantine 2: Terminal

Earlier tonight, a bizarre disease was unleashed in a run-down Los Angeles tenement… and no one got out alive. Yet something escaped. Now, aboard Flight 318, the first symptoms begin to show. As the infection begins to takes root, innocent passengers suddenly transform into terrifying, bloodthirsty killers. Forced to land at an isolated terminal, and surrounded by armed government agents, the crew and passengers grow increasingly desperate. The only question now is how far they will go to survive.

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Quarantine

When a news crew decides to trail a brave fire-fighting team, they never suspect that the first call for help they respond to that night may be their last. Now they're trapped in an apartment complex sealed off by the government. With no way of escape, they find themselves surrounded by frightened residents who are infected with a deadly mutant virus. What happens next is only known because of the footage they left behind.

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Evil Dead

You leave a staple gun lying around an isolated cabin, you're asking for trouble. But that's the least of the mortal worries in Evil Dead, the 2013 reboot of Sam Raimi's 1981 kook-classic horror picture. This version takes the same general outline as the original (young people at a cabin, forbidden book of occult spells, all hell breaking loose) and plays it as an intense, blood-soaked exercise in nonstop action. Ostensibly the friends are there to help Mia (Jane Levy) kick her drug addiction, but they get slightly distracted by the dead animals hanging in the basement and the book of incantations wrapped in barbed wire. The nerd (Lou Taylor Pucci) in the group takes the next step–actually speaking some of the book's mumbo-jumbo out loud–and the rest is no-holds-barred, utterly berserk bloodletting. If any of this had real force, or if any of the characters had more than a single character trait to prop them up, maybe Evil Dead could succeed as a genre exercise. Certainly, director Fede Alvarez has the technical skills to horrify an audience for 90 minutes, and the film is grueling in its quest to find a grisly touch that will top the previous scene. But there's absolutely nothing going on beyond the usual template for this kind of movie (didn't Cabin in the Woods finish that off?) and ultimately we're left with another horror picture that relies on people doing stupid things. –Robert Horton

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Evil Dead ( Blu-ray + UltraViolet Digital Copy)

You leave a staple gun lying around an isolated cabin, you're asking for trouble. But that's the least of the mortal worries in Evil Dead, the 2013 reboot of Sam Raimi's 1981 kook-classic horror picture. This version takes the same general outline as the original (young people at a cabin, forbidden book of occult spells, all hell breaking loose) and plays it as an intense, blood-soaked exercise in nonstop action. Ostensibly the friends are there to help Mia (Jane Levy) kick her drug addiction, but they get slightly distracted by the dead animals hanging in the basement and the book of incantations wrapped in barbed wire. The nerd (Lou Taylor Pucci) in the group takes the next step–actually speaking some of the book's mumbo-jumbo out loud–and the rest is no-holds-barred, utterly berserk bloodletting. If any of this had real force, or if any of the characters had more than a single character trait to prop them up, maybe Evil Dead could succeed as a genre exercise. Certainly, director Fede Alvarez has the technical skills to horrify an audience for 90 minutes, and the film is grueling in its quest to find a grisly touch that will top the previous scene. But there's absolutely nothing going on beyond the usual template for this kind of movie (didn't Cabin in the Woods finish that off?) and ultimately we're left with another horror picture that relies on people doing stupid things. –Robert Horton

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Army of Darkness

A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported–along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm–to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop parade of blood, gore, and vicious sword-bearing skeletons–an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. –Jeff Shannon

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Evil Dead 2

Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods–miles from civilization–find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. –Dave McCoy

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The Evil Dead

In the fall of 1979, Sam Raimi and his merry band headed into the woods of rural Tennessee to make a movie. They emerged with a roller coaster of a film packed with shocks, gore, and wild humor, a film that remains a benchmark for the genre. Ash (cult favorite Bruce Campbell) and four friends arrive at a backwoods cabin for a vacation, where they find a tape recorder containing incantations from an ancient book of the dead. When they play the tape, evil forces are unleashed, and one by one the friends are possessed. Wouldn't you know it, the only way to kill a "deadite" is by total bodily dismemberment, and soon the blood starts to fly. Raimi injects tremendous energy into this simple plot, using the claustrophobic set, disorienting camera angles, and even the graininess of the film stock itself to create an atmosphere of dread, punctuated by a relentless series of jump-out-of-your-seat shocks. The Evil Dead lacks the more highly developed sense of the absurd that distinguish later entries in the series–Evil Dead 2 and Army of Darkness–but it is still much more than a gore movie. It marks the appearance of one of the most original and visually exciting directors of his generation, and it stands as a monument to the triumph of imagination over budget. –Simon Leake

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Fido

It doesn't take long for the hilarity of Fido's central idea to kick in: the world is reeling from the Zombie War, and the undead are being contained in two different ways. Some of them are roaming loose in fenced-off wilderness zones. The rest are, thanks to the good people at the ZomCom corporation, docile and domesticated–indeed, available as house servants for the upwardly-mobile. Such is the case with the Robinson family, a suburban clan who seem to have stepped straight out of an old episode of Lassie. Little Timmy is happy about the new manservant, whom he promptly dubs "Fido," and Fido himself is fine as long as the mechanical collar around his neck doesn't malfunction (in which case he will revert to being a cannibalistic brain-eating zombie). Fido is played, in a stroke of inspiration, by the Scots comedian Billy Connolly, although you wouldn't be able to recognize him without already knowing he's in the movie. Dylan Baker and especially Carrie-Anne Moss are just right as Timmy's parents, who have accidentally wandered out of a John Cheever novel and into a George Romero world. Director Andrew Currie skillfully gets the 1950s satire and the zombie action right, although there's no way to disguise that this premise is too thin to spread out over feature length. For a while, though, Fido hits a stride–a staggering, vacant-eyed stride. –Robert Horton

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The Return of the Living Dead (Collector’s Edition)

Just when you thought it was safe to go back to the cemetery'those brain-eating zombies are back and hungry for more tasty mortals. A fiendish mix of outrageous humor and heart-stopping terror, The Return of the Living Dead is a veritable smorgasbord of fun (LA Herald-Examiner) filled with skin-crawling jolts, eye-popping visuals and relentless surprise! On his first day on the job at an army surplus store, poor Freddy unwittingly releases nerve gas from a secret U.S. military canister, unleashing an unbelievable terror. The gas re-animates a corps of corpses, who arise from their graves with a ravenous hunger for human brains! And luckily for those carnivorous cadavers, there is a group of partying teens nearby, just waiting to be eaten!

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The Return of the Living Dead

Just when you thought it was safe to go back to the cemetery'those brain-eating zombies are back and hungry for more tasty mortals. A fiendish mix of outrageous humor and heart-stopping terror, The Return of the Living Dead is a veritable smorgasbord of fun (LA Herald-Examiner) filled with skin-crawling jolts, eye-popping visuals and relentless surprise! On his first day on the job at an army surplus store, poor Freddy unwittingly releases nerve gas from a secret U.S. military canister, unleashing an unbelievable terror. The gas re-animates a corps of corpses, who arise from their graves with a ravenous hunger for human brains! And luckily for those carnivorous cadavers, there is a group of partying teens nearby, just waiting to be eaten!

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Death Valley: Season One Uncensored

A year ago, vampires, werewolves and zombies mysteriously descended upon the streets of California's San Fernando Valley. Death Valley is the dark comedy that follows the cops that capture the monsters, and the camera crew that captures the cops.

Follow the horrific yet comedic exploits of the newly formed Undead Task Force (UTF), a division of the LAPD created to combat the emergence of monsters in the San Fernando Valley. Death Valley showcases the outrageous and courageous men and women working the toughest beat in the US: Death Valley.
Continue reading

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Dawn of the Dead [Blu-ray]

George Romero's 1978 follow-up to his classic Night of the Living Dead is quite terrifying and gory (those zombies do like the taste of living flesh). But in its own way, it is just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping mall to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewelry shops, making gourmet meals, etc. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film when all is said and done, and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. –Tom Keogh

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Dawn of the Dead – U.S. Theatrical Cut (Anniversary Edition)

George Romero's 1978 follow-up to his classic Night of the Living Dead is quite terrifying and gory (those zombies do like the taste of living flesh). But in its own way, it is just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping mall to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewelry shops, making gourmet meals, etc. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film when all is said and done, and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat

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Dawn of the Dead (Ultimate Edition)

In 1968, director George A. Romero brought us "Night of the Living Dead." It became the definitive horror film of its time. Eleven years later, he would unleash the most shocking motion picture experience for all times. As modern society is consumed by zombie carnage, four desperate survivors barricade themselves inside a shopping mall to battle the flesh-eating hordes of the undead. This is the ferocious horror classic, featuring landmark gore effects by Tom Savini, that remains one of the most important – and most controversial – horror films in history. When there’s no more room in Hell, the dead will walk the earth: The original "Dawn of the Dead" is back!

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Zombie Lake: Remastered Edition

In a small lakeside town, young women are disappearing without a trace. The superstitious locals blame ''The Lake of Ghosts'', because of the lake's haunting past, but the town's mayor (Howard Vernon) seems reluctant, or powerless to take any action. When another woman is found dead near the lake, with her throat ripped out, a reporter comes to town and soon discovers that the lake harbors a terrible secret dating back to World War II. It is then a group of local Resistance fighters take action against a troop of Nazi zombie soldiers invading their town, as they have come back from the dead. And now, whenever the waters at ZOMBIE LAKE are disturbed, the dead will rise!

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Bath Salt Zombies

The bath salts epidemic facing the southern and mid-western US has been stifled by an unprecedented government crackdown. This has led to a tremendous amount of surplus stock hidden by black market dealers, and a migration of those dealers to the northeast. In New York City, potent strands have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch… but something has gone horribly wrong. The new ultra potent bath salt batch has revealed a major side effect: It turns users into violent flesh seeking ZOMBIES!

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Zombies! Zombies! Zombies!: Strippers vs. Zombies (Undead & Unrated)

When a drug experiment gone wrong produces a league of blood-thirsty, flesh eating zombies, it's up to a small band of exotic dancers to fight back. Trapped in the local strip club, they must rely on their wits and skills to survive the night. This tongue cheeked horror/comedy, in the vein of "Shaun of the Dead", chronicles the epic battle between good and evil through the most unlikely characters. Strippers, pimps, and hookers fight for their lives in this gore-filled new age zomedy.

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The Graves / Zombies of Mass Destruction (Double Feature) [Blu-ray]

The Graves After being lured to a mysterious mining town, two sisters must unleash their most primitive instincts to battle unspeakable horrors – both human and supernatural Zombies Of Mass Destruction A conservative island community is under attack – fro

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Humans Vs. Zombies [DVD & Comic Book Insert]

Students on summer break are exposed to a deadly virus, a neuroinvasive organism that is spread rapidly through direct human contact. The Infected are enslaved by the invading swarm intelligence and driven by an insatiable appetite to consume human flesh. Returning home, the infection spreads quickly to their fellow classmates and other unsuspecting townspeople. One by one, more and more fall victim to the plague, triggering an epidemic that spawns a horde of ravenous zombies. The zombie horde grows and spreads throughout the community. Amidst the chaos, a campus security guard, obsessed with conspiracy theories, leads a group of students to safety as they and a small band of uninfected townspeople set out to find other human survivors in an attempt to discover the source of the "zombie" virus and save the world.

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Zombie A-Hole

Zombie A-Hole takes place in a world that's a bit different from our own. A realm that teeters on the edge of sleaze and comic book stylized awesomeness. Its Planet Terror meets Sin City meets The Good The Bad & The Ugly. All the men are hard-asses, and all the women are bombshells. Just because vengeance is your way of life doesn't mean you can't look damn sexy while you dole out hearty doses of whoop-***. Everything is just a bit bigger and more interesting than their real life counterparts. This is a an exploitation flick with a southern gothic flair.

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Shaun of the Dead

It is only natural to be scared of zombies, and to prevent them from laying waste to your home. A more relaxing approach, however, is to be bored and vaguely annoyed by them, or, better still, not to notice them in the first place. This is the premise of Edgar Wright's British comedy, which may be responsible for kicking off a new and specialized genre of slacker horror. Shaun (Simon Pegg) lives a supremely uneventful life, which revolves around his girlfriend (Kate Ashfield), his mother (Penelope Wilton), and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners. The finale, in which the pub turns into an Alamo, is the bloodiest, most orthodox, and least witty part of the movie; far sharper are the early scenes in which Shaun wanders happily to the local store along a battered, zombie-dotted street and pulps his attackers with a cricket bat. The central joke is so snappy and well sustained that you barely catch sight of the ominous vision on offer: a country that already feels like death. -Anthony Lane
Copyright © 2006 The New Yorker

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I Walked with a Zombie / The Body Snatcher (Horror Double Feature)

Double bill of classic chillers from producer Val Lewton opens with the moody, dreamlike "I Walked with a Zombie," in which the nurse to a West Indies sugar baron's comatose wife is drawn into a native voodoo cult. Frances Dee, James Ellison, Tom Conway star. Then, Boris Karloff and Bela Lugosi supply the menace in "The Body Snatcher," an atmospheric tale set in 19th-century England about a grave robber who supplies corpses to medical researchers. Henry Daniell, Edith Atwater also star; based on a Robert Louis Stevenson story. 146 min. total. Standard; Soundtrack: English Dolby Digital mono; Subtitles: English, Spanish, French; audio commentary; theatrical trailers. NOTE: This Title Is Out Of Print; Limit One Per Customer.

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Gangsters Guns & Zombies

When one man sees the dead rising from the grave, another sees opportunity. Q had a nice, simple plan: drive the robbery getaway van, deliver everyone to the safe house and get paid. Unfortunately, life is never that simple. Q s accomplices are TONY, a murderous nut case; DANNY, who is bleeding all over the money in the back of the van; and CRAZY STEVE, who lives up to his name. The safe house is surrounded by police, and these zombies just don t quit. The group takes refuge at a fortified windmill where they team up with the lovely CASSIE and her insane but well-armed GRANDMA. As Tony descends into deeper and deeper psychosis, he forces a last stand against the zombie horde closing in.

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Zombie Strippers (Unrated Special Edition)

Worldwide media sensation Jenna Jameson and Nightmare on Elm Street's Robert Englund star in Zombie Strippers. When a secret government agency lets out a deadly chemo virus causing the reanimation of the dead, the first place to get hit is Rhino's, a hot underground strip club. As one of the strippers gets the virus, she turns into a supernatural, flesh-eating zombie stripper, making her the hit of the club. Do the rest of the girls fight the temptation to be like the star stripper, even if there is no turning back? Also featuring Roxy Saint (of the Goth band Roxy Saint and the Blackouts) and Ultimate Fighting Champion Tito Ortiz, Zombie Strippers is a sexy, bloody, hilarious good time!

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Aaah! Zombies!!

Zombies. You know 'em, you love 'em. But what do they think of you? In this hilarious twist on the Classic Zombie Tale, we see the world through Zombie eyes when a barrel full of Toxic Goo transforms four friends in to the Walking Dead, and suddenly, it seems every one else has gone mad. In the most unique Zombie story in years, the Zombies embark on a bumbling quest to find the "Truth", completely unaware of their rotting undeadness. After all, Zombies are people too.

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